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December 10, 2007

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Jonathan

Weeping with laughter. Unfortunately parts 2 and 3 of the linked article aren't quite working, but I hope they will soon. It would be great to see some of the old Westminster Gold album covers: a pile of cabinet door handles for a Handel recording, and a couple dressed in Barbarella-type spacesuits for--if I recall--other versions of music from *2001: A Space Odyssey* (*Also sprach Zarathustra*, the Blue Danube Waltz etc.).

Jonathan

Westminster Gold=PretentiaKitsch. Sort of like the Absolute Value of Genius, an idea I had in high school: as the absolute value of -6=6, so the absolute value of excruciatingly awful is excruciatingly wonderful.

My God, those album covers bring it back. Actually, they bring it back up.

Lisa Hirsch

This is hilarious, and Phil, I beat you to posting about Lara St. John by a couple of years:

http://irontongue.blogspot.com/2005/05/sex-and-young-violinist.html

Sadly, the comment thread is gone because I'm no longer using Haloscan for comments. Hmm, maybe I can get them from the Haloscan site and my email.

Hannah

Oh my gosh. I put that Holst album cover in a library display this semester! I love it so!

We used to put a different spectacular/hilarious album cover up on display each day/week when I was a work-study student in the conservatory library at Oberlin. The inside of "Thriller" was one of our favorites. That and the ridiculous Debussy one with (I think) "La Fille au Cheveux de Lin" on it...which sported an extreme close-up of a lady with enormous fake eyelashes and gobs of eye makeup leaning over in such a way that her curtain of blonde hair could be played like a harp. Ahhhh, yes.

Heather H

also weeping with laughter over the VW hubcaps.
Die Volks-kure???

And the reanimated Beethoven heads! Oh my god.

Madeleine: "Can we see those again?"
Me laughing to hard to reply.

Kip W

Yessir, nothing says "porn" to me like a guy in black socks. Nothing.

Daniel Wolf

The composer and electronic music pioneer Richard Maxfield was an engineer for Westminster in the 60's. He most famously edited in extra repeats in a few key recordings, not one of which was ever picked up by a critic.

Christopher

Hey! I had that Planets recording! It was one of the first classical recordings I ever bought. And I was not impressed by the sound and balance, either. Everything was rather murky, and the trombones in the loud passages sounded like a band saw cutting through a plywood sheet and hitting a nail. For a high school player, I was pretty discerning...

Charlotte

I'll never forget the first time I saw that Salome cover... It's absolutely terrifying! The colors didn't really come out here. The original has this really intense orange which clashes painfully with the green.

jason

Yikes on the Reichs-humor of the VW hubcaps. Too soon in the 60s? You bet. Not nearly as effective as the "Fawlty Towers" "don't mention the war" episode.

Although, if it's a clever play on Valkyrie/Walkuere spellings, kudos to the art director.

Michael

But you missed out my favourite Westminister Gold album cover: a cookie being crumbled for (wait for it....) Gotterdamerung!

http://www.westminstergold.com/WGSO-8178-5c.jpg

I remember this from a copy of Sereo Review (I think). I was never fortunate enough to own or even SEE this matserpiece of design.

Phil Ford

Ha ha! What a great cover. Yes, I'd overlooked the Gotterdammerung album design -- I should do another post of Westminster Gold covers. There are so many good ones.

allana

I will confess to owning a good half-dozen of those Westminster Gold albums, purely for the covers. I actually paid 15 whole bucks for a copy of Provocative Electronics, which actually sounds sensational... Also, I've got Romeo and Juliet, and the Ring of the Nibelung, but not The Planets... I think that'd be the crowning achievement.

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